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Cherry
Chandra Mayor
March 2004
Conundrum Press
ISBN 1-894994-02-7
Set in the Winnipeg skinhead scene of the early 1990s, Cherry is an unsettling account of a woman's
negotiation of violence, memory, and identity. Mayor deftly employs the technique of pastiche to craft her story:
newspaper articles, notes, photographs, letters, and even appointment slips are used to signify the multi-layered
nature of her narrative. At its heart, Cherry is a story about a romantic relationship on the precipice of
chaos. The unnamed protagonist falls in love with an enigmatic young skinhead and spirals into a frightening state
of unreality. Her world is reduced to a cycle of drugs, abuse and an endless series of rooming houses which she is
forced to call home. These addresses become the chapter titles; Mayor literally uses the decrepit buildings as the
structures on which to hang her narrative. The narrator tries to write her way out of her desperate situation,
infusing moments with a vibrant and transcendent beauty to ensure her survival, and in doing so invokes the streets
of downtown Winnipeg with the precision of a poet and the cunning of a satirist. Cherry is a punk rock bricolage,
a poetic novel, a loss of innocence story, and an ode to the city of Winnipeg.
"A startling read from the perspective of a young woman who saw it all from the inside. Cherry is a novel
that exposes the shocking reality that is the racist right." — Warren Kinsella (author of Web of Hate: Inside Canada's Far Right Networks)
"Chandra Mayor's vivid, sensuous language evokes the wind-torn city of Winnipeg haunted by violence and longing.
This first novel bears witness to a powerful transformation as a terrorized young woman begins to recognize the fierce
desire for life that's growing within her. Beautiful and harrowing and ablaze with poetic intelligence, Cherry
is a rare work of lyricism and danger." — Catherine Hunter
Praise for CHERRY:
"With poetic economy, Mayor spins a tale of misplaced love and harrowing abuse." — The Globe and Mail
"Mayor's prose is razor-sharp, perfectly suited to her subject matter. There are no flowery CanLit metaphors,
no devices, just direct, bold writing." — Ottawa Express
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